In my sacred quest to watch Every Decent Thing on Netflix, I’ve seen a lot of quirky movies that make fun of the action and superhero genres.
All good, right?
Let’s watch three trailers, then take apart two movies with huge promise that both fall flat and one film that nails it.
Spoiler Alert: This entire post is one giant spoiler. Sorry. Can’t help it. Palpatine told me, “Do what must be done.”
First up: TURBO KID
Good trailer, right? And it seems like it’s not trash, since critics apparently blessed it.
Rainn Wilson and Ellen Page are the best. Come on. This should be amazing.
This is a production with no-name actors and virtually no budget. But the trailer looks funny.
Dissecting all three movies
TURBO KID and SUPER both suffer from trying to be two things: they both want to be cartoonish and child-like while subverting the whole comic-book genre with massive amounts of gore, violence, nudity and profanity.
You expect blood, bullets and every one of the FCC’s Seven Dirty Words in an R-rated action movie. No big deal.
These two movies are trying to be two things at once, though. You can be innocent and fun or you can be gritty and gross. Pick one.
The worst B movies splatter you with f-bombs and blood. The best pick their shots.
How you end a movie also kinda sorta matters, if you care about the audience.
TURBO KID jumps the shark in the end when it turns out not only is his sidekick / girlfriend a robot, but so it the bad guy, despite there being no hint of this at all. The bad guy just isn’t believable as an evil machine. I can completely buy a friendly robot that’s programmed and designed to be a companion. I can’t buy a bizarre, twisted villain actually being a robot beneath all that flesh. How did he get to be that way? It doesn’t fly as a last-minute revelation with no setup.
SUPER lost me in the climax when Ellen Page, playing the sidekick, Boltie, gets shot in the face and killed. She was the heart and soul of the movie, the best part. This film felt like a French existentialist number, with the hero killing the bad guys and saving his wife, but not really winning. It’s not a true a tragedy, either.
You can do stories with mixed endings, if you do them right. A hero can get what he wants, then decide he doesn’t want it. A boxer can lose the championship while earning self-respect and a girlfriend named Adrian.
You can do it. But it has to be carefully constructed.
TURBO KID and SUPER both felt weird for the sake of weird.
KUNG FURY is happily retro, cheesy and creative. There’s still swear words and nuttiness, but it remains fun instead of weird or sad.
With TURBO KID and SUPER, there was a mix of cartoonish surrealism and gritty realism, as if the writers and directors couldn’t choose which direction to take. KUNG FURY has the same tone throughout, but it still surprises you again and again.
VERDICT: Go ahead and fast-forward through the boring bits of TURBO KID and SUPER, if you’re curious about either, but skip the stupid endings so you don’t throw things at the screen. Watch all of KUNG FURY.